UZBEK NATIONAL THEATRE AND WORLD CULTURE: HISTORICAL DEVELOPMENT AND MODERNITY

Abstract

This article explores the historical formation, developmental stages, and modern integration processes of the Uzbek national theatre into the global cultural space. The study analyzes the evolutionary path of Uzbek stage art, beginning from the enlightenment ideas of the Jadid period to the modern synthesis of directorial schools with prominent international theatrical frameworks, including the systems of K. Stanislavsky, B. Brecht, and J. Grotowski. Furthermore, the paper highlights how contemporary Uzbek theatre transcends linguistic barriers through metaphorical language and symbolic staging, securing its unique position in the global artistic landscape.