THE SYNTHESIS OF TRADITION AND MODERNITY: A RESEARCH FRAMEWORK FOR THE COMBINATION OF TRADITIONAL UZBEK PAINTING ART AND CONTEMPORARY DESIGN PRACTICE

Abstract

This thesis investigates the theoretical, methodological, and practical dimensions of integrating traditional Uzbek art forms with contemporary design practices. Through a multidisciplinary approach combining design research, cultural studies, and material practice, the study develops a comprehensive framework for culturally sustainable design innovation. The research examines four traditional art forms—Ikat weaving, wood carving (ganch), ceramics, and embroidery—analyzing their aesthetic principles, symbolic language, and material knowledge. A key outcome is the development of the "Cultural Translation Matrix," a methodological tool that guides designers through the process of adapting traditional elements for contemporary applications while maintaining cultural integrity. The practical component includes the development of a product line that successfully demonstrates the application of this framework, with specific focus on sustainable materials and production methods. This research contributes to the growing field of culturally-informed design and offers practical solutions for maintaining cultural heritage relevance in a globalized design landscape.